American
Rose Rambler
News & Viewpoints from the
World of Roses
November/December 2001
By Peter
Schneider
SHOWING GOOD ROSES
Since I wanted to exhibit my roses, I
went to the library and checked out a copy of Roses:
Growing for Exhibiting by Harold H. Allen. I felt
immediately at home with this book. Allen grew his roses
in Ohio, his backyard looked similar to mine, and he
wrote in a friendly, accessible style. Exhibiting
wouldn't be so difficult after all, I decided.
Today, Allen might be best known in
his home state as the namesake of the trophy that
exhibitors at the district show settle for when they
don't have the roses to deliver the McFarland. But his
book was important in its time, and probably the best
rose book ever written by a trombonist in a circus
band.
Unfortunately, by the time I picked it
up in 1981 much of its information had become dated.
However well 'Saturnia' and 'Rex Anderson' did for Mr.
Allen, they weren't going to win anything for me. 'Golden
Wings,' I discovered, was not "technically a hybrid tea"
anymore. Making friends with your milk man, as Allen
suggested, might indeed be a good idea, but, I wondered,
"What's a milk man?" And as for his suggestion to enliven
a challenge class calling for five hybrid teas with two
or three blooms of 'Dainty Bess'&emdash;well, let's not
go there.
Many things hadn't changed, of course,
and from Roses: Growing for Exhibiting I learned
the importance of entering clean roses, the value of a
having a dedicated rose refrigerator, and the fact that
no amount of good culture will turn an unsuitable rose
variety into a winner. I also sought out and found one of
Mr. Allen's favorite roses, 'Narzisse,' which has over
the past twenty years become one of my favorite roses,
and has won several "Classic Hybrid Tea" trophies as
well.
Forty years after the publication of
Allen's book, exhibitors, and would-be exhibitors,
finally have an up-to-date reference in Bob Martin's
Showing Good Roses. This is not just the most
comprehensive rose exhibiting manual anyone could
imagine, it is one of the best rose books I have ever
read. From the moment the rose gardener begins to
contemplate exhibiting to the afternoon when he walks
into a national show to discover one of his entries up on
the trophy table, this book will be a invaluable guide.
All along the way, Martin remains in complete command of
his subject, anticipating&emdash;and
answering&emdash;every question that might
arise.
Showing Good Roses is organized
into thirty-two chapters and five useful appendices.
Longtime readers of The Pasadena Rose, the Los
Angeles Rose Society's Rose Parade, and Rose
Exhibitors' Forum will recognize some of Martin's
vintage articles from those publications woven into this
book. In every case they have been meticulously
updated.
This book begins with the show, its
schedule and organization, its judges and its exhibitors.
After a detour into the Artistic Division and the
mysterious world of rose arrangements Martin considers
rose varieties for exhibition and their propagation. This
is followed by a thorough section on "Growing Show
Roses." Then, "Entering Roses at the Show" (including a
comprehensive chapter on "Getting Roses to the Show").
Finally, "How to Win" as Martin reveals the tribal
knowledge of the rose exhibitors, with detailed
strategies that have worked for him. I particularly
admire this section, because Martin treats old garden
roses, shrubs, and climbers as roses that are worth
winning with, too. Too often top exhibitors have a
"Professor and Mary Ann" attitude toward any rose that is
not a hybrid tea or miniature. Any other rose is reduced
to "and the rest." There is no such bias here.
Like nearly all successful exhibitors,
Martin understands the importance of the show schedule.
The exhibitor who thoroughly understands the schedule has
a tremendous advantage over one who doesn't. A poorly
written schedule is a recipe for controversy and
misunderstandings at the show. Societies who have not
recently updated their schedule will find an excellent
sample schedule here.
Martin believes that roses with twelve
or fewer petals should be called "Single Roses" and not
"Single-petaled roses" since there are no roses with just
one petal, unless all of the others have fallen of. I am
guilty of calling for "Single-petaled Roses: 12 petals or
less" in schedules I have written, and in areas where
older exhibitors still remember schedules that called for
either "single roses" or "spray roses" this wording might
still be helpful.
The section on exhibition rose
varieties is backed up by exhaustive statistics on which
roses have actually won in every part of the
country.
Because Martin lives in Southern
California, where it is easier to grow roses than in many
other places, he has gotten advice for pests and disease
control from top exhibitors in other parts of the country
as well. We are well served by their contributions.
Martin points out the devastation that a hard winter can
do to an exhibitor's rose garden, but does not present a
thorough discussion of winter protection.
Things I particularly like about this
book:
Martin understands that not all exhibitors, and not all
judges, will behave in an ethical manner. But he knows
that the few unethical ones aren't having as much fun as
the rest of us.
The author admits to using SuperThrive, and even pictures
its "weird" label.
He describes all of the gadgets that exhibitors use, but
does not believe that the gadgets are the important
thing.
He understands the myriad flaws in the American Rose
Society's Guidelines for Judging Roses and guides the
reader gently through its inconsistencies.
A cogent discussion of breeder's rights, presented as an
adjunct to the advice about propagation, is a valuable
bonus.
I don't know anything about art, but I can understand the
chapter on arrangements.
Its advice will be useful to exhibitors at every
level.
This fall I was chairman of the ARS
National rose show held in Cleveland, and one of the
phone calls I received in the wake of the events of 11
September was from an out-of-town exhibitor who wanted me
to fax her a note, giving her permission to take her rose
grooming tools into the cabin of the plane that would
bring her to Cleveland. I didn't think the authorities
would be too impressed by any such note, or that this is
what any of us should have been worried about at that
point. So I said "no." Exhibitors, like any other
enthusiasts, can get their priorities mixed up. But not
from reading and studying this book, which is rooted
firmly in the ground of common sense.
In addition to the sample show
schedule, the appendices include national and district
challenge classes, rose sources, an excellent chemical
guide, and a useful glossary.
It is hard to find anything I don't
like about this comprehensive book. If I could have one
thing more, it would be an index. This is not a big
problem&emdash;chapters are divided into logical
subsections, all of which are charted in a five-page
"Contents" section at the front of the book. And if you
open to the wrong section, you are sure to find something
else that is interesting and informative.
After I realized that Harold Allen's
book was a little out of date, I was lucky to find four
real life rose exhibiting mentors: John Loksa, Helen and
Steve Purcell, and Wilbur Hruby. Today, for anyone who is
an exhibitor, or who wants to be one, Bob Martin's
Showing Good Roses is the ideal portable
mentor.